Geostorm redefines ‘nonsensical’. A film that spends the majority of its time lecturing you about the importance of putting our petty sovereignty aside for the sake of the greater good only goes to reassure you why the pathway to hell is paved with good intentions.
Visually the film earns the highest marks but storytelling drags down what could have been a film of the year candidate into a sci-fi thriller that is 45 minutes too long. The plot isn’t interesting enough to justify the runtime and the twist ends the film on a flat note rather than an emotional one. Oscar nominations all around for the technical team here otherwise this film is a hard sell for your average moviegoer who needs to clear their schedule to experience Blade Runner 2049.
It is not every day you get the opportunity to watch a film in theatres that has 0% on Rotten Tomatoes (according to critics that is). I’ve been barking at RT critics for years now for their flawed rating system and biased reviews, the only real question here is, Does Flatliners deserve it’s 0% rating?…No.
The Dark Tower suffers from not having enough time to tell the story that was needed. Missed opportunity is what you will hear repeated by critics and fans and they are correct. However, don’t let the RT score fool you, the film isn’t as bad as advertised, but it is a disappointment for those who have been waiting years to see this story told on the big screen.
Dawn of the Planet of the Apes established an emotional grounding between Caesar and Koba given their two very different experiences with humans. Without that element, War for the Planet of the Apes wouldn’t have much to work with. As the film it is a technical achievement but as far as storytelling it’s a bore.
The movie is silly at times, but it isn’t that bad, they competently tell the story of a woman who will defy the laws of space and time to save her son. Yang Mi really sells the role of a desperate mother teetering on the edge of sanity as the film progresses. Reset is a decent Sci-fi B-Movie but doesn’t reach any higher heights than that.
The effects are great, the gore is well done, and those goddamn face huggers are still suckering people in long after they should know better. Alien: Covenant is a well-shot thriller for a franchise that is waiting for Young CGI Ripley to conclude Riley Scott’s work.
I wish the movie, expanded a little more with the ‘magical’ element of the story since it was the main selling point, it’s almost criminal they didn’t do more with it. As it is Sleight is a passable film that brings up the issue of surviving in a rough setting without giving you a good solution for getting out.