Quarantine Retrospective: Black Christmas (2006)
Before the Feminazi version of this film came out in 2019, Black Christmas had so much nuclear heat with me, it could have melted down a Russian city.
Category: Editorials
COVID-19 Didn’t Screw The Comics Industry, The Comics Industry Screwed Comics Industry
How can peace be achieved when the people running Stan’s legacy have a clear disdain for a large portion of their readers?
Freedom Over Safety: The Sophie Turner vs Evangeline Lilly Debate
It may not feel like it at this moment but the choice between freedom and safety is one that many Americans could be forced to make in the near future and if that is the case, which side would you rather take.
Quarantine Retrospective: The Craft
The Craft is one of those films you liked as a kid but are afraid to watch again as an adult over fear the movie didn’t hold up as well as you thought.
Marvel Comics Defecates On Stan Lee’s Legacy With Embarrassing Woke Comics
If you have followed #Comicsgate in the last four years, or have simply read a Marvel Comic since 2015, the announcement of Marvel’s ‘New Warriors’ shouldn’t surprise you because you saw this coming.
Quarantine Retrospective: Ghost World
Ghost World is in many ways a prequel of today’s modern day millennial women. Self absorbed, narcissistic, insufferable, consumed by self misery and the false sense of heroism via social justice.
Quarantine Retrospective: Cloverfield
Anyone with half a brain in this situation would have called it quits there and the film would have ended, but it didn’t.
Netflix Cancels Drag Queen Show That Sexualized Children
The cancellation comes less than 60 days after the show debuted in January of this year.
Spike Lee Lambasts Black Trump Supporters As Coons And House Negroes
Black conservatives, libertarians, and independents are often accused of selling out their race for taking political stances that fall out of line with the mainstream Democrat party.
Hollywood Sold Out The United States In Favor Of China And Now They Are Paying For It
Hollywood’s commitment to the Chinese market has turned America’s film industry into a foreign entity on its own land.
