Film Reviews, News, And Editorials From A Minarchist Perspective
It is clear as day that the LGBT community are using kids to normalize the sexual agenda of adults, an agenda that will very poorly for those who think the overwhelming majority of Americans are cool with adults using kids as sexual props.
Hollywood controls mainstream entertainment and they have popularized blasphemous entertainment at a rate that religious cynicism is the new norm. The frequency of their faith-based hostility is greatly contributing to younger generations raised by television to view Christianity with the same venom as those in the industry.
In the current age of #MeToo (which was caused by Hollywood in the first place), writers and producers are treating their films like campus lectures in hopes that they can change society instead of entertaining fans.
Now that I have dug through all the trash, this year we begin 2020 with the best films of 2019. Most people reading this will be unfamiliar with a few of these movies so I suggest you check them out as they are worth the watch. Character Studies, foreign films, Americana, and narrative films led the pack in this year.
Will Return In 2020
Ladies and gentleman…it’s time. Time for me to take out 12 months of frustration out on the worst pieces of trash that took a minimum of 20 hours out of my life and made me want to quit my job and 2019 almost succeeded.
Mounting political pressure by progressives organizations has put the company in the position to draw a line in the sand. Do they choose to please their viewer base and continue with business as usual? or do they attempt to please the media and risk their content becoming like everyone else?
Is Star Wars Okay? Star Wars: The Rise of Skywalker is the final test for this once storied franchise and if it fails, the fallout could be devastating for a studio but more importantly, a once-loyal fanbase.
Until progressives gain enough control through government to force people to consume their art, they will continue to flop because, at the end of the day, you can’t force people to pay to watch your lectures while you talk down to them.
With films such as Charlie Angels currently tracking below a 15 million dollar opening weekend on a production budget of 50 million, you wonder how much more money does Hollywood need to lose before they get the picture? The answer? A lot more.
