During this past summer, countless left-wing outlets and personalities condemned those who wanted far-left Director James Gunn to be fired for his decade-old ‘jokes’ that were dug up on his Twitter account. It didn’t matter how disgusting and disturbing the content of those tweets were, if you were one of the people who exposed him leading to his firing as Director of Marvel’s Guardians Of The Galaxy Vol. 3, some people went as far to call you ‘Cyber Nazis’. Even the entire cast of the movie came out in solidarity for a man they believed to be wrongly prosecuted in the eyes of the public. The message couldn’t have been more clear, believing people should be held accountable for things that were allegedly said in humor nearly ten years ago made you part of the problem…so why are the same people who feel that way back in July doing the exact same thing to Kevin Hart?
Transgender Activist and former INTO writer Eli Erlick, thought he had a spicy take on Ariana Grande’s latest music video ‘Thank U, Next’ accusing the video and the artist of being ‘anti-queer’. The writer has since been fired from the outlet and run off of social media after death threats from the LGBT community and angry Grande fans.
Last Sunday, thousands of illegal immigrants who were supposed to be thousands of miles away from a caravan that was supposed to be imaginary stormed the border after Jim Acosta insisted they were not going to do so. As border patrol deployed standard riot control tactics to break up the crowd, one image was shopped around the networks which have led to actress Anne Hathaway to accuse her country of ‘using lethal force’ to ‘gas children’.
Jon Stewart may have done more damage to late night television than any other man in history because since he stepped down from The Daily Show in 2015, late-night comedy has turned into pseudo-intellectual progressive propaganda shows with most of Stewart’s former ‘comedians’ leading the charge. If you need proof, look no further than Jon’s Daily Show replacement, Trevor Noah who used his ‘comedy’ show to state that the constitution doesn’t apply to black people in America.
At some point, progressives are going to have to figure out what #GetWokeGoBroke actually means. Two weeks ago, I railed against the latest Steve McQueen movie Widows, you can read the review to understand why it is one of the most pathetically ‘woke’ films of 2018. So when I saw an article written by Matthew Jacobs and Zeba Blay of the Huffington Post berating audiences from not spending their money to go see it, my first reaction was…
As it stands, Hollywood is nothing more than a political farm for the Democrat party and on those grounds, it is simply easier to ignore everything you have to say and in some cases, vote IN SPITE of your opinion. Americans have the ability to use their own minds and come to their own conclusions…the celebrities in Hollywood don’t.
There is a saying, if you leave a progressive in a padded room by themselves, eventually they will find something in the room that is offensive. As if 3rd wave feminism hasn’t run out of things to complain about, it looks like the new source of ire comes from something that has been around for decades, Classic Disney Films.
At first glance, you may look at the box office numbers of Conservative Dinesh D’Souza’s Death Of A Nation and compare that to Progressive Michael Moore’s Fahrenheit 11/9 and think to yourself “but Fahrenheit 11/9 made more money”. On face value yes, however, there are a lot more variables to this story that the media won’t let you in on, like the fact that they tried to ensure victory for Moore at the expense of D’Souza and failed.
Barack Obama was considered in many aspects ‘The celebrity president’. Democrats enjoy the luxury of having famous celebrities endorse their platform and their party with no backlash. Katy Perry, Demi Lovato, Lady Gaga, Jay-z, LeBron James, or Taylor Swift. Celebrities are given the platform to endorse Progressives and the media NEVER questions whether these people are qualified to talk about these issues or question their mental well-being in doing so.
Besides the obvious question of “Who the hell asked for a Charlie’s Angels reboot?” the more important question is “Who the hell asked for a ‘Woke’ Charlie’s Angels reboot?” That’s where it hit me, I started to look around at a lot of recent and future reboots of tv shows and movies and noticed the majority of them are politically progressive. But why would you reboot an already established franchise under the same name just to add a progressive left-wing ideology that wasn’t there in the original? Is Hollywood trying to retroactively rewrite history with Woke Reboots?