Society Reviews

Dispensational Christian Content Creator, Film Critic and Entertainment Commentator.

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April 27, 2022

Memory (2022) Review: The Film You Have Already Seen Multiple Times Over

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April 25, 2022

The Northman Review: A Big Overbloated Epic That Fails To Connect

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April 11, 2022

Everything Everywhere All at Once Review: This Is Not A Film, It’s An Experience

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April 10, 2022

Ambulance (2022) Review: Michael Bay’s Style Is A Rejuvenating Experience

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April 3, 2022

The Lost City Review: An Unfocused Comedy From Wine Aunts & Dog Moms

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April 1, 2022

The Unbearable Weight of Massive Talent Review: The Great Idea In Desperate Need of Direction

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March 20, 2022

Panama (2022) Review: Low Budget Charm But Weak On Compelling Characters

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February 23, 2022

Fistful of Vengeance Review: A Painful Example Of How Netflix Ruins Foreign Content

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February 22, 2022

Uncharted Review: An Bland Action-Adventure With Little Chemistry

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February 13, 2022

Blacklight Review: The 70 Old Year Man & The Complete Lack Of Effort

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January 20, 2022

The King’s Daughter Review: A Dull & Dated Adventure

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January 15, 2022

The 355 Review: Simon Kinberg Keeps Feminist Bond Adventure On The Rails

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December 3, 2021

Resident Evil Welcome to Raccoon City Review: A 25 Million Dollar CW Movie

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November 29, 2021

Red Notice Review: Tons of Star Power, No Story

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November 16, 2021

Pipeline (2021) Review: Fresh & Fun Action Film

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November 8, 2021

No Time To Die Review: A Long Drawn Out Last Ride For Bond

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October 19, 2021

Copshop Review: A Crazy Fun Violent Experience

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September 21, 2021

The Protégé Review: A Film That Raises The Bar For Femme Fatale Movies

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September 18, 2021

‘Free Guy’ Review: A Soulless And Smug Video Game

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September 17, 2021

Gunpowder Milkshake Review: A Strong Start Marred By A Weak Finish

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