Editorials

July 30, 2022

Three Ways To Make Children’s Entertainment Great Again

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July 30, 2022

Scarlet Witch Is Not A Sympathetic Character. She’s A Villain.

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July 30, 2022

How “Female Empowerment” Has Destroyed The Art Of Storytelling

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July 30, 2022

The 3 Reasons Why Original Action Movies Are Dead

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May 22, 2022

Disney Executives Admit They Are Pushing “Not-At-All-Secret Gay Agenda”

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April 23, 2022

The Death Of Humor & The Rise Of “Activist Comedy”

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April 20, 2022

GLAAD To Grade Film Studios On Political Donations & LGBT Advocacy In Wake Of Disney/Florida Fallout

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April 19, 2022

Hollywood Studios Double Down On LGBTQ Agenda, “Get Woke Go Broke” Be Damned

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March 19, 2022

Pixar Studio Employees Fighting HARD to Put LGBT Scenes In Children’s Movies

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March 12, 2022

Turning Red Review/Discussion: A Poorly Written Autobiography Masquerading As A Pixar Film

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February 21, 2022

Shut in Review: A Solid B Thriller & The Tale Of Progressive Hollywood

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January 17, 2022

Retrospective: G4TechTV (2004)

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January 16, 2022

Retrospective: Disney’s ‘So Weird’ (1999)

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December 26, 2021

SocietyReviews Top 10 Best Films of 2021

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December 24, 2021

SocietyReviews Top 10 Worst Films of 2021

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November 11, 2021

Cecily Strong’s “Funny” Clown Skit Is A Depressing Reality For Progressive Hollywood

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June 2, 2021

Disney’s ‘The Proud Family’ Woke Reboot Is The Worst Kind Of Propaganda

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June 2, 2021

Television Networks Create LGBT Propaganda For Children

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May 12, 2021

Brie Larson Reportedly Unfollows Gal Gadot After Gadot Defends Israel

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April 19, 2021

John Oliver’s Propaganda Show Pushes Lies That Will Get People Killed

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