With the 20-year anniversary of the 9/11 attacks looming, now seems like the perfect time to release a film about the treatment of terrorists at Guantanamo Bay detention camp (several 9/11 plotters are held there). But this isn’t just any social commentary movie that puts people like then-Secretary of Defense Donald Rumsfeld back under national scrutiny after his death — this one happens to be executive-produced by legendary director Martin Scorsese.
Though Scorsese might seem to be the only draw for this movie, narrative-wise, it isn’t a bad story. How would you view life if you believed yourself to be irredeemable? Some people never recover on their road to redemption, especially those in the U.S. military. The government provides all the tools to be a ruthless killer and then when things go awry, they throw you under the bus. How do you respond? How do you continue with life? This is the central question in Paul Schrader‘s “The Card Counter.”
“The Card Counter” begins as the story of William Tell (Oscar Isaac), a mystery man who goes from casino to casino counting cards and winning decent sums of money. Tell is a former veteran who was incarcerated for more than eight years for his role in the torture of detainees at a military interrogation site.
One day, Tell finds a young kid named Cirk (Tye Sheridan) whose father was one of the officers involved in the scandal with Tell. Cirk’s father killed himself because he couldn’t live with his actions and now Cirk wants revenge against commanding officer John Gordo (Willem Dafoe), who walked away from the scandal without punishment.
Tell isn’t interested in revenge against the man who wronged him, but he does see an opportunity to make things right by helping Cirk to move on with his life. Tell enters high-stakes poker tournaments in order to pay off Cirk’s debts. But much like Cirk, Tell has his own demons that he is refusing to face.
The central story of “The Card Counter” doesn’t have much to do with Gitmo, as Guantanamo is known, even though there is plenty of social commentary on the problems with American imperialism. This is a story about redemption and the personal struggle to achieve normalcy. The film begins with a tutorial about the art of counting cards in blackjack that gives the audience a false sense that the movie is about gaming the system, but the story becomes much darker than that.
Isaac does a brilliant job in portraying the quest of atonement as a man who, despite his emotionless demeanor, is riddled with regret, anger and resentment. Tell finds a moment of levity with a young kid who shares his anger but doesn’t share his ability to rationalize his life decisions. Sheridan is well cast as a man pumped full of rage but with little direction in his life. Tell is able to identify this character flaw and tries to right his ship in one of the most powerful scenes the movie has to offer.
“The Card Counter” is a great character study of a man struggling to atone for a troubled past. Some imagery is disturbing, and the film certainly isn’t for everyone, but cinephiles won’t find many better films like it so far this year.