“Escape Room: Tournament Of Champions” is a movie that only exists because the first film made money.
Leave it to the madmen of Hollywood to attempt to create a franchise based on a gaming fad that has already faded away. Two years ago, Sony Pictures released “Escape Room,” a film that was produced for the dirt-cheap production budget of $9 million and turned a massive box office profit of over $150 million, giving producers all the justification needed to green-light a sequel.
The inaugural film managed to secure mediocre reviews while drawing comparisons to “Saw” albeit a PG-13 version. The fact that the “Saw” franchise itself has oversaturated the market with torture porn didn’t slow down the filmmakers from tossing out “Escape Room: Tournament of Champions” in record time — it was originally scheduled to release just 15 months after the first film. This time around, nothing much has changed but the traps.
“Tournament of Champions” is a cinematic filibuster to get the franchise to a third installment in order to print more money. The blunt description of this film explains just about every flaw of the movie. In case you didn’t see the first film, “Tournament of Champions” begins with a short recap of how we got here, making the 2019 movie a simple footnote in the timeline. This time around, the traps are far more nonsensical and don’t have the same high stakes of the first film.
It’s never a good sign that a movie has four screenwriters and “Tournament of Champions” has just that. Screenwriters Will Honley, Maria Melnik, Daniel Tuch, and Oren Uziel do nothing to progress the storyline. As a matter of fact, they avoid answering any questions in order to reel people in for a third film. There remains no backstory for the evil, murderous corporation that created the games, giving audiences no explanation on how they have the resources to create state-of-the-art death traps without any detection by a three-lettered agency, let alone a motive for creating them.
The novelty of setting up unsuspecting people in a series of traps where they must work together to escape or perish wears pretty thin. As a result, “Tournament of Champions” plays out as a “Saw” movie with no rhyme or reason and the bare minimum length to qualify as a feature film. Outside of Zoey and Ben, every other character is relegated to cannon fodder, a name and occupation that won’t be relevant three minutes after they mention them.
This film is in desperate need of polishing and serves as a case study of why studios shouldn’t rush a product for the sake of profit.
“Escape Room: Tournament of Champions” is one of the most pointless cash-grabs in quite some time. The film manages to ruin its one positive — production design — by rushing out a movie that doesn’t do anything to further the story or the audience’s interest in it.