We live in a world where Hollywood can’t seem to figure out why people aren’t going to the movie theaters anymore.  Maybe the problem lies in the fact that Hollywood is continuously pumping out nauseating left-wing Progressive lectures being thinly disguised as entertainment.

The ‘magical negro’ stereotype has been complained about in movies for quite some time.  The magical negro is a supporting black character who usually comes to it with the aid of the white protagonist in a movie.

A term crafted by notorious race Hustler Spike Lee who was bothered by the on-screen race relations between blacks and whites in modern movies.  I guess because garbage cans weren’t being thrown in the windshield the police cars, critics of this Trope decided to deem it as racist.

But what if we were to take this racial complaint a step further?  What if we were to create a movie about a group of black people who have to go around and keep white people comfortable for their safety?

This is the premise of the American Society of Magical Negroes.  The film stars Justice Smith as Aren, the textbook definition of a beta Male. Aaron is a failed artist who tries to Hawk off his abstract art that nobody understands even less people want to buy.  Because Aaron is so good at being a walking doormat to anyone who comes within a 5 ft radius he is recruited by a man named Roger played by David Alan Grier, To become a member of a magical Society of negroes.

Aaron is so good at making white people comfortable and keeping white people comfortable is the only way to keep them from killing black people,  Aaron is asked to join their ranks and he is assigned An ad agency executive comfortable as his white tears are showing emotional distress,   that’s not a joke that is the actual plot of this movie.

Along the way Aaron falls in love with a girl who works at the same agency however he is not allowed to be romantically involved with her because as a magical negro he must put the feelings of the white man first.

The American Society of Magical Negroes is probably one of the most racist films to come out in the last several years. Still, its biggest sin is being one of the most boring films that came out in the last several years with one of the worst actors in Hollywood given the responsibility to lead this movie.

Justice Smith who is Hollywood’s go-to actor whenever they need someone black and feminine is taxed with leading this abomination of a comedy movie that is thinly disguised as satire.  If you see Justice in one movie then you’ve seen him in all of his performances, Justice is the Cinematic equivalent of a mediocre white woman whose favorite hobby is watching Netflix, and this film not only decides to use him to carry the narrative from nearly 2 hours but then proceeds to use him as the voice of Black oppression in America.

Kobi Libii Who is known for his work um…um…

Kobi Libii Is the man in charge of writing and directing this caper and when you realize that Justice Smith is not only a dead ringer for Kobe but that  Smith is Kobe’s self-insert into the film,  you quickly understand that the reason that this film is so boring and tasteless is because the writer and director of this film who has about as much charisma as a fork sticking out of a broken socket has Force audiences to sit down and watch a movie about him.

Just like every other Daily Show clone that uses white guilt to continue to get work and Progressive Hollywood,  Kobe’s film continues the racist narrative that the most dangerous animals in the world are white people.  The message of this film is clear: whenever white people are not comfortable black people are the ones who die.  a message that is so divorced from reality, that it would be considered nonsensical even if this was a fantasy movie.

 Magical Negroes is a film that takes poorly disguised hatred and racism of another race in the realm of Comedy thinking that they can fall back on calling this movie a satire whenever they are called out for spreading racial division. However, without racial division between blacks and whites, this story has absolutely nothing to offer.  There’s no Chemistry Between the two leads in this film as no one Believes Justice Smith is heterosexual let alone can play one on screen. 

The film has no story to dig into because the forced love triangle in the movie is nothing more than a placeholder for our biracial filmmaker’s views on race. As Justice Smith cinematically waterboards the audience with his complete and other lack of a screen presence,  the only time that his character comes alive is to lecture the audience about the fact that black people in the United States of America Live every day under the guys that white people want them dead.

 This, my friends, is called projection.  Kobe makes it very clear that he hates white people, and he hates America,  yet somehow he wants you to go out and support his movie because you would be racist not to. The American Society of Magical Negroes Is a soulless Charisma vacuum of a film that has nothing but hate in its heart. 

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