The world is turning against Israel in real time, and it’s unfolding before everyone’s eyes.
Hatred of Israel and the Jewish people has scarred world history since creation, but it’s reared its ugly head in massive ways over the last couple of years. Two years ago, on October 7, 2023, Palestinian terrorists—Hamas—breached Israel’s border, slaughtering over 1,200 innocents and kidnapping hundreds more in the worst attack on Jews since the Holocaust.
Since then, Israel has faced Islamic terrorists funded from across the Middle East: from Iran, Iraq, Qatar, and Syria—nations that have publicly vowed to wipe Israel off the map. Now, many in Western nations echo that genocidal cry, mimicking calls to destroy Israel in a misguided quest for “peace.”
A striking parallel emerges in Revelation 12, where Satan is cast out of heaven and wages war on Israel for three and a half years. While that event awaits fulfillment, we’re witnessing the prelude: the entire world aligning against Israel at Satan’s behest. Dinesh D’Souza, renowned for his right-wing political documentaries over the past two decades—like 2016: Obama’s America and 2000 Mules—knows this battle well.
He was even jailed by the Obama administration in 2014 for campaign finance violations that, a decade later, smack of political silencing. Now, D’Souza returns with The Dragon’s Prophecy, a 2025 documentary based on Jonathan Cahn’s #1 international bestseller of the same name.
He’s not alone in spotting the biblical echoes; the film argues the current Israel conflict transcends conservatives versus progressives—it’s good versus evil, with evil fully exposed in Islam. While the world fixates on Israel versus Gaza, the true war traces back to Genesis 3: the serpent deceiving the woman.
Critics who brand Israel genocidal for retaliating against Hamas’s barbarism do Satan’s work, framing the Jewish state as the villain and Palestine—along with Islam—as the heroes. D’Souza interviews Messianic Jews and Evangelical Christians who view the chaos as prophecy unfolding live.
Revelation isn’t the only guide; Zechariah 12 and 14 foretell all nations uniting against Jerusalem to annihilate Israel before Christ’s return. Satan’s endgame? Defeat Israel and thwart the Messiah, binding him in the abyss for a millennium. He weaponizes the unrighteous, unbelieving world and hostile nations to eradicate God’s chosen people first.
Directed by D’Souza alongside his wife Debbie and Bruce Schooley, the 73-minute film adopts a raw documentary style, blending never-before-seen October 7 footage with archaeological digs affirming biblical history. It premiered in limited theaters on October 6 and 8, 2025, before streaming on SalemNOW starting October 9—perfect timing amid escalating global anti-Semitism.
There’s little to critique in production quality or narrative flow; it’s a visceral gut-punch, featuring harrowing survivor testimonies from the Nova music festival massacre and kibbutz raids. Parents recount kidnapped loved ones still held in Gaza tunnels, while others mourn spouses gunned down at breakfast.
D’Souza weaves in commentary from Cahn, radio host Eric Metaxas, and even clips of Israeli Prime Minister Benjamin Netanyahu, underscoring the demonic roots of jihadist rage. The film’s power lies in connecting dots: Hamas’s atrocities aren’t anomalies but echoes of ancient pogroms, from Pharaoh’s infanticide to Hitler’s ovens. As Cahn notes, Satan—“the deceiver” in Hebrew—hates Jews as living proof of Scripture’s truth.
Mosques on the Temple Mount symbolize the devil’s squat on God’s throne, and October 7’s paraglider assault mirrors prophetic warnings of invasion from the north. Yet here’s the film’s one knock: its Evangelical, conservative lens soft-pedals Islam’s core rot. It treats jihadists as “radical” outliers, not the natural fruit of a faith that, biblically, embodies the Antichrist spirit (1 John 2:22).
Islam denies Christ’s death, burial, and resurrection—the hallmark of antichrist deception. The Quran mandates conquest, urging Muslims to slay unbelievers, especially Jews and Christians (Surah 9:5, 29). This isn’t fringe; it’s foundational, fueling 1,400 years of caliphate dreams. What elevates The Dragon’s Prophecy is its prophetic mirror: Islam preaches end-times warriors—the Mahdi and Isa (a false Jesus)—conquering for Allah against “Al-Dajjal,” the one-eyed deceiver.
This flips Revelation’s Antichrist and False Prophet, who’ll deceive the world into Satan worship and Armageddon against Christ. Two narratives, one story—from opposite views. Does this mean Islam fulfills prophecies predating Muhammad by 600 years? Could the Mahdi be the Antichrist, and Islamic Isa the False Prophet leading global apostasy? The bigger game involves Islam, Israel, and nations gripped by Jew-hatred at an alarming clip.
We may be at the tribulation’s doorstep—Jacob’s Trouble, warned of for 2,500 years (Jeremiah 30:7). D’Souza’s film, shot partly in war zones, isn’t neutral; it’s a clarion call, urging viewers to discern the spiritual war beneath headlines. Critics may dismiss it as fearmongering, but in a year of campus riots and UN resolutions demonizing Israel, its urgency resonates.
It’s not exhaustive—deeper dives into eschatology await in Cahn’s book—but as an entry point, it’s potent, blending history, horror, and hope in Christ’s ultimate victory.
The Dragon’s Prophecy introduces unfulfilled biblical prophecy with unflinching clarity, but the full feast of truth demands more than one sitting. In these darkening days, it’s a vital wake-up call.
3.5/5
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