Their Finest is a great war time film that is just as much educational as is enjoyable.
If I did ½ star ratings, this film would be closer to a 2.5 because there is good here and you will probably still enjoy as a popcorn film. Guardians of the Galaxy Vol 2 tries to score too many points on what people liked in the first movie but instead produces a mediocre sequel which is the norm now for Disney’s MCU.
I wish the movie, expanded a little more with the ‘magical’ element of the story since it was the main selling point, it’s almost criminal they didn’t do more with it. As it is Sleight is a passable film that brings up the issue of surviving in a rough setting without giving you a good solution for getting out.
When it comes to King Arthur: Legend of the Sword, the weakest part of the film is the writing. It feels like if they had spent more time polishing the writing and making the flow of the film work better this would be a much better movie. With that said, the movie is enjoyable its many problems makes it more worthy of a rental than a must see in the theaters. Legend of the Sword is a typical Hollywood blockbuster, high on special effects and low on quality.
The real Lee Strobel shortly quit his job as a reporter and became a pastor with his wife, the story of his life is a fascinating ride from non-believer to believer that not only delivered a bestselling book but a compelling film. The Case For Christ is a story that can be embraced by mainstream audiences along with Christian audiences right in time for Easter.
The film is a throwback to classic action crime movies meaning you won’t see anything you haven’t already seen before, plus the over the top ending takes away from an otherwise enjoyable film. For all it’s ups and downs, The Prison is a middle of a road action flick for people who favor crime and corruption film.
Ghost in the Shell is a step in the right direction for Hollywood in adapting anime movies into live-action features films, opening up the possibilities for better translations and erasing bad memories of some past endeavors (see Dragonball: Evolution). So, I just have this left to say…. I am Jason and I give me consent for you to like and comment on my review of Ghost in the Shell.
This isn’t the comedy of the year or even a smash hit, it just isn’t as bad as I thought it was. Dax Shepard put a lot of effort into this film and overall it was a decent effort. The chemistry works, the jokes are hit and miss, and Vincent D’Onofrio is never a waste of a film. CHiPs may have nothing to do with the original by it is a good movie to rent.
Will Power Rangers fans enjoyed this film? Probably not, you’ll spend all your time nitpicking things that aren’t like the original series. Will your average moviegoers like this film? Honestly, yes. This is not a great movie by any stretch, but it is watchable and its better than the 1995 counterpart which wasn’t a hard task to complete. I’m very indifferent toward Power Rangers at this point. I can’t be too positive or too negative one way or another, but if this film gets anything right, is it that you are really going to want some donuts when this is all over
When it comes to Personal Shopper, there is a lot to like about this film, but you really have to question the decision-making in the writing. The ending is pretty bad as it serves to ask more questions that will never be answered and feels very out of place with the other 100 minutes. The film was booed at Cannes and it seems justified. Personal Shopper is what happens when you shoot yourself in the foot creatively.
It may be the editing, which isn’t perfect in the first half, but adequate. In the second half, elapsed time isn’t clearly defined, and some character introductions/relationships/reintroductions are a little clunky as a result. Chemistry between Patel and Rooney Mara is average. The scenes they share extensively together (not a ton) is when Lion becomes a tad clichéd and its pace compromised
But even with that, Lion does a lot more to be legitimately emotional than the average solely Oscar-centric movie. In simplicity, a moving tale is found.
The Belko Experiment ultimately delivers on a simple premise, workplace violence turned up to 100. With low expectations, the film is a fun thriller worthy of seeing with a few friends or enjoying in the comfort of your own home. James Gunn gets credit for trying to do something different like with most Blumhouse Films. The only negative here is you just wish they took a little more risk to truly be something special.
Overall, this was a good adaptation of the animated classic that stayed true to the source material. While the film took advantage of its budget, the overproduction of the musical numbers often did more harm than good. The film depended on the relationship between Belle and the Beast’s but it wasn’t the most believable because of the lack of development and chemistry between Emma Watson and Dan Stevens.
While it’s a genuine look at the grieving process, I wanted this movie to be so much better than it actually is. I feel Affleck’s incredible performance is clouding everyone’s opinion of this film and if they’d simply take a step back, they’d notice the multitude of aspects that don’t work, like classical music used for the score and the poor direction that feels more like a Robert Altman rip-off than a sincere, original style.
A film which makes you think, reflect, and feel. I don’t feel like I watch enough of those. So when films like this come along, it is like cleaning your palate. It is like, being reminded of what a quality drama can be, and how from the old to the young, it isn’t unfair to expect every character to make an effort to not just connect with you but to make you feel something. Now, I might not have cried like I thought I would, but damn if this doesn’t put some perspective on your life, maybe your daddy’s life, and make you contemplate on your way home what you going to do about your life.
Moonlight has more in common with impressionist paintings than modern cinema. It is soft-focused and visceral. It is not about race or sexuality or masculinity, yet it takes us into those spaces to experience the film rather than just watch. It defies holistic labels and compels engagement with its fragments. You do not see this film for entertainment but to share a journey into darkness to find light.
By the time Samantha discovers that Juliet dies in every scenario and that she need to save her, she really doesn’t ‘try’ to save her. She always waits until the last 10 minutes before she dies when she had all day to convince her not to commit suicide. So when she finally jumps in front of the truck my first thought was “I don’t think you had to do that”